User Reviews
Rating: really liked it
3.5 stars. I LOVED the premise of this story and was so ready to rate it 4 or even 5 stars in the first 1/3 of the book. I love it when thrillers incorporate real world issues and social injustice, and I thought Cole’s approach to this genre was especially unique because it’s set up like a contemporary rom-com with very likable leading characters that you want to root for. I think the juxtaposition of having a setting that feels like a rom-com but is actually a thriller is a super interesting dynamic because it simultaneously makes me love these characters while fearing for what’s going to happen to them because I’m already attached. The main issue that I had throughout the book is that even though I love the concept of gentrification and redlining as a thriller, the bad guys felt so cartoonish and overtly evil. Yes, there ARE assholes that exist in real life who aren’t subtle about it, but I think the book would have fared better if the racism and corruption were more subtle and insidious. The message feels very in-your-face, when it didn’t need to be, and I would have been more impressed if the story were more nuanced. I also got the sense that perhaps the author struggled writing the last 1/3 of the book when the thriller aspect kicks in. The ending feels very rushed and fast-paced, which is especially jarring in comparison to the slow buildup. It doesn’t have an exciting climax as I would like either, because the author might have trapped herself by setting up a plot/conflict that is so much bigger than the characters are capable of handling. Still, if this book got picked up for a TV or movie adaptation, I would totally watch.
Rating: really liked it
Hmmm. I understand what the author was going for here, a gentrification based take on "Get Out," but the pacing is off. The ending happens all at once and is so wild and then it's the end. This had a lot of potential. Great premise. Lots of interesting Brooklyn/NY history. Missteps in execution.
Rating: really liked it
“HISTORY IS FUCKING WILD.” When No One is Watching is a powerful and uncomfortable book to read. It is also difficult to describe, and although it's being marketed as a thriller, it is only part thriller, and not really a thriller until closer to the end. It is a mixture of genres blended together to craft a powerful message on social justice and gentrification. Sydney Green, a black woman in her 30’s, is literally fighting to hold onto her mother's house in Gifford Place, a neighborhood going through “revitalization” in Brooklyn. Corporations, condominiums, and soul-crushing Bougie millennials are moving in and driving out the culture and people who built the neighborhood. Pressured to sell, but not willing to move, Sydney puts together a tour of the neighborhood that encompasses its African roots and a past that is on the verge of disappearing.
Theo, a white man with a secretive past, strikes up an unlikely friendship with Sydney and becomes her assistant on the tour. As the two begin researching and planning, their neighbors begin to disappear. They are both in danger and could be the next to be taken.
The narrative is split between Sydney and Theo. Both are dynamic characters. Sydney’s anger at the injustice of what is happening to her neighborhood emanates off the pages. Her anger masks her pain and fear of losing all she has ever known. On the other hand, Theo’s character is a little shady. He hides his emotions, and so many other things, and is a bit of mystery. He plays the role of the white person who wants to support the cause, but at the same time is oblivious to what’s really going on (I can identify with this aspect of his character).
The narrative kept me on my toes, as I wasn’t ever really sure where things were going, but it GOES there in a very blatant and obvious way. There is a level of underlying tension and suspense throughout that gradually builds as the narrative progresses.
I have to say this book goes off the rails in the last 25% or so. I was wondering if what was really happening was all just a crazy dream, but it was all very real. I was a little put off by how far Cole went, but then I realized she had to go in this way to get her message across.
This is a provocative, timely, and engaging read. It’s a page-turner with a message that will, hopefully, keep the reader thinking about history, racism, gentrification, and social justice. “People bury the parts of history they don’t like, pave it over like African cemeteries beneath Manhattan skyscrapers.”I was lucky enough to win a copy of this book in a GoodReads giveaway!
Rating: really liked it
“When I think of a Black community, the first thing that comes to mind—even if I don’t want it to—is crime. Drugs. Gangs. Welfare. That’s all the news has talked about since I was a kid. Not old people drinking tea. Not complex self-sustaining financial systems that had to be created because racism means being left out to dry.” Emotionally, this book is 5 stars for me. As I read on, I found myself having this sense of respect towards Alyssa Cole.
Rationally, it is 4.5 star rating, but what are ratings other than an estimation of sorts. There's no accuracy to this. All I can speak about is how this book made me feel and I felt
all of it.
This is not a thriller in the classic sense. Or a story you would picture when thriller is mentioned. Alyssa Cole has put her own unique spin on it and that's what I admired about this story. It's subtle, eerie, it sneaks up on you even though at the back of your mind you are aware that something sinister is lurking, but you cannot pinpoint its source.
This is very much the narrative the story follows. The thriller genre has been used as an educational tool almost. A story doesn't have to be constantly 'thrilling' in its literal sense for it to be
chilling. That message can utilised in many different ways.
The micro-aggressions (which makes your blood boil) that were present, the way you see a community being targeted and pushed out adds to how horrifying this particular reality was and still is for Black and marginalised communities.
I was wondering how the author would combine thrilling aspects into a discussion on gentrification but Cole managed it perfectly. She really did her research and provided an alternative thriller story.
The ending, I believe, was intentional. In an interview Alyssa Cole did it was mentioned that it wasn't tied up neatly, but rather set the tone of a community that is still very much fighting the fight. The problems are still very much present and doesn't just disappear because of one or few incidents that have occurred that could’ve potentially paved the way to a better future. History has not worked that way.
I can't wait to read her back-list now and really hope we get more thriller novels from her.
Rating: really liked it
ARC provided by the publisher via EdelweissReviews you should check out: Bee's, Jazmen's, Carole's
I have adored everything Alyssa Cole has written, so when I heard about this new mystery thriller I knew it would make my most anticipated releases of the year list! I enjoyed this immensely and I hope people read this and fall in love with this thriller, but I hope they also realize how deeply rooted racism and systems built on racism are still thriving because of racism.
When No One Is Watching switches back and forth between Sydney and Theo's POV. Sydney is Black, recently divorced, and recently moved back to NY to help her mother who is ill. They have a brownstone in Brooklyn and the neighborhood and the neighbors mean a lot to her. Theo is white and recently moved into Sydney's neighborhood and is currently living with his abusive ex-girlfriend while they try to renovate this home Sydney is trying to put together a more extensive compilation of the Black history from her neighborhood so she can do a tour, and Theo volunteers to help her. Meanwhile, more and more Black people in the community are going missing, and more and more white people are moving in acting as if they have always owned the neighborhood.
It is never a Black authors job to educate you, but Alyssa Cole truly and unapologetically talks about the privilege that white and non BIPOCs have. From gentrification and the many systems that are stealing land, and buildings, and lives still in 2020, to police brutality and who they are willing to protect and who they are willing take everything from, to the vast different microaggressions they are forced to endure every single day. This book does not shy away from anything, and I hope it makes a lot of people uncomfortable, and I hope they sit in that uncomfortably and begin to check their privileges.
This book has a lot of scary parts, but the scariest part of all is how this country really is still running on racism and slavery, just a different (more well hidden) kind of racism and slavery. From prison systems, to the police forces, to huge corporations and all their different investments. It's not even well hidden, people just don't want to see, because they don't want to be uncomfortable, and they don't want to change a system that is working in their favor too. But friendly reminder that you can't be compliant with racism and racist systems and not be racist. :]
Overall, I really loved 80% of this book, but the ending was way too rushed for me. I just felt a bit unsatisfied with how a few storylines and character's stories went (and I wanted to know so much more)! But I still think this was such a powerful read, and a shining star in 2020 literature. Alyssa Cole is a gift to this world (and all the genres) and I hope you all pick this one up!
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Trigger and Content Warnings: gentrification, racism, so many microaggressions, talk of slavery, loss of a loved one, a lot of talk of financial debt, (medical) debt harassment, depression, anxiety, panic attacks, talk of cheating in the past (not the main characters), talk of domestic abuse in the past, themes of abuse and cycles of abuse, talk of institutionalization, murder, attempted abduction, brief mention of animal abuse, brief mention of suicide, forced medical experimentation, talk of drug addiction, threats of calling ICE and the police, and police brutality.
Buddy read with Maëlys & Penny! ❤
Rating: really liked it
fucking brilliant
Rating: really liked it
Be sure to visit Bantering Books to read all my latest reviews.I have never read a novel quite like Alyssa Cole’s, When No One is Watching.
Primarily marketed as a thriller, it has, for the most part, all the prerequisite tension, psychological suspense, and unexpected twists it needs to fit that bill. But alongside all that lies a fierce examination of institutional racism and gentrification in contemporary society. Not to mention a fascinating history lesson, to boot.
It sounds like a lot to try to pull together, doesn’t it? Most definitely. It takes a skilled, talented writer to effectively combine such diverse elements. Not every author could pull it off. But Cole does – and she does it without even breaking a sweat.
Sydney Green, a young Black woman in Brooklyn, watches in dismay as the neighborhood she grew up in disappears before her very eyes. New FOR SALE signs seem to be dropping out of the sky, as left and right, her beloved neighbors are forced to sell their homes. Some of her dearest friends are even silently vanishing in the middle of the night, never to be seen or heard from again.
To combat her burgeoning sense of loss, Sydney decides to funnel her frustration into the creation of a historical Brooklyn walking tour. She soon receives an offer of research assistance from her new White neighbor across the street, Theo, which she begrudgingly accepts against her better judgment.
Much to Sydney and Theo’s surprise, their straightforward exploration into the history of Brooklyn soon leads them to a frightening discovery they never saw coming. They have no choice but to work together, pushing all fear and distrust of one another aside. Otherwise, they may find themselves to be the next neighbors to disappear without a trace.
Having previously found success writing romance,
When No One is Watching is Cole’s first foray into the land of thrillers. And what a successful venture it turns out to be. Overall, the novel is a smart, engrossing, addictive story with just the perfect amount of tension.
And Cole puts some serious writing chops on display. Her prose is excellent. It’s intelligent and direct; clear and concise. Her words flow smoothly and are effortless to read. And she doesn’t waste time by bloating the narrative with needless filler.
As is so popular these days, the novel employs the literary tool of dual narration, with the story unfolding through the eyes of both Sydney and Theo. The strategy works effectively, seeing as Cole has crafted two likable, but slightly unreliable protagonists. Sydney’s emotional and psychological stability is debatable, thanks to an ill mother and a recent divorce. And Theo is surrounded by a dark air of dishonesty, dubious motives, and hidden secrets. They are two remarkably interesting and complex characters, and their questionable behavior abundantly increases the novel’s underlying sense of disquiet.
Be forewarned, though. The majority of
When No One is Watching is not very
thrilling. It’s more suspenseful, in nature. It isn’t until the last 25% hits that the novel becomes what I would consider to be a true thriller. There is also a romantic element to the story, which I found to be a bit unnecessary.
Still, Cole creates a perfect aura of eeriness, paranoia, and unease, all of which serves to amplify the reader’s need to understand what exactly is happening and why. The pages fly by, and it is difficult to put the novel down.
But then the ending comes.
And in a matter of a few pages, my thoughts flip flop. One minute I’m thinking I have a five-star thriller in my hands. The next, I’m wondering what in the world is happening and if any of it is even supposed to be real. Because the novel completely goes off the rails, verging on the edge of ridiculous. The ending is just too unbelievable. It’s too far-fetched.
I understand that
When No One is Watching is supposed to be a thriller and the intention is to be shocking. But for a novel that spends so much of its time being deeply rooted in fact and history, this type of sudden, extreme, and incongruous conclusion simply does not make sense. And I think that in the end, Cole unwittingly undercuts the powerful message she works so hard to send.
Sigh. My opinion may not be a popular one. Of this, I am mindful.
Nonetheless, my hat is still tipped to Cole.
When No One is Watching is immensely enjoyable and gripping, even with the outrageous ending. It is expertly written. And it is in the running to be my favorite thriller of the year.
My sincerest thanks to Harper Collins Publishers and NetGalley for the Advance Review Copy in exchange for an honest review. All opinions included herein are my own. Bantering Books Instagram Twitter Facebook
Rating: really liked it
The craziest thing about this book? Is that this shit could actually happen. Usually when i read thrillers i’m like “okay this could happen” but like it’ll have to be like the craziest thing ever but this book? This shit DOES happen. I enjoyed this book because it brought out the right kind of anger, frustration and fear. There were points where the characters were mircoaggressive and I wanted to put it down so bad but I literally could not put this book down.
I think the pacing was really slow at the beginning but i was enjoying the characters and their dynamic so i didn’t mind all too much, i think if it was maybe 50 pages less it would fix the pacing? but honestly i didn’t care all that much because once you get to the part where the plot twist at the end kicked in the pacing got so much better!
I really liked the main character, Sydney. I don’t think she was boring or useless like most main characters in thrillers. Maybe it’s because i got to read her use AAVE which added to her character. Which, the AAVE is another thing U enjoyed. Maybe it’s because I don’t read many books let alone thrillers where the characters look like me and tsk me. Also enjoyed her dynamic with Theo, ugh I just love a pathetic loser white man, you know?
I kind of guessed one of the plot twists but I didn’t mind, I like how it played out and I was still spooked. A lot of this book was scary but in the way that this could actually happen to me, like the uber scene? I take ubers very frequently and I get so scared when they take the wrong turn even when i can see that their gps told them to go that route.
I really enjoyed this book and it was actually the very first thriller i’ve ever given 5 stars. I love that Alyssa Cole branches out a lot with her genre’s and i could see her being the ‘Jordan Peele’ of thriller’s. I hope she rights more thrillers in the future.
Rating: really liked it
**4.5-stars rounded up**Needing a distraction from the stressors of everyday life, Sydney Green, decides to take one of the over-priced historic walking tours of her neighborhood in Brooklyn.
Sydney is a bit of a history buff and is curious to see what the tour will cover. She quickly realizes that the community she has lived in for her entire life isn't represented in the discussion.
It's hard to understand the history of a place while simultaneously ignoring the people who have lived there for generations.
Sydney decides to create her own, truly historic, walking tour of the neighborhood. With encouragement from her neighbors and friends, she begins to research the events and people she would like to cover.
It's a big task, however, and she can't do it all alone. Help comes in the form of a most unlikely source. A new neighbor, Theo, who just moved into the brownstone across from Sydney's offers to be her assistant.
She's hesitant to accept help from him. She doesn't really trust him, or understand what his motives may be. As Sydney sees it, him and his Lululemon-loving, live-in girlfriend, are part of the problem.
Gentrification, they call it. Wealthy people swooping in and taking over urban neighborhoods; raising home prices, tax assessments and rents for all, thus displacing the long-term residents in the process.
Sydney can see it happening around her, changing everything. Theo's persistent though and in a sort of dorky, yet charming way, he works his way through Sydney's defenses and into her life.
Before she knows it, the two of them are working together on a daily basis. Also, as it turns out, the girl Sydney assumed to be Theo's girlfriend, is actually his ex; it's complicated.
At the same time that they dive into the research process, events in the neighborhood begin to snowball. People are disappearing and both Sydney and Theo encounter strange things happening in the night.
It appears that something more sinister is going on than Sydney initially assumed, but who is going to believe her? Is she just paranoid, or is someone, or something, actually behind her neighbors mysterious disappearances?
I loved this story! I started out reading the paperback, but ended up switching to the audiobook and thought the narrators were fantastic.
When No One is Watching has a lot of layers. It is that rare type of Thriller that I would actually read again.
I've noticed the reviews are mixed and I totally get that. The narrative heads in a direction that won't be for everyone.
It definitely toes the line of Horror. I would comp this to
Get Out meets
Lock Every Door. If you loved either of those, I think you will enjoy this just as much!
Additionally, this story played to one of my biggest fears; knowing the truth about something and having no one believe you.
I guess it boils down to a feeling of helplessness. I love how Sydney fought back and how Theo supported her. Their relationship was great to read.
Overall, I found this to be a fast-paced, mind-reeling, horrifying modern-day Thriller and I loved every minute of it. Crossing my fingers this gets adapted into a film. It would be so fun!!
Highly recommend!
Rating: really liked it
"People bury the parts of history they don't like, pave it over like African cemeteries beneath Manhattan skyscrapers. Nothing stays buried in this city, though."When No One Is Watching is an expertly crafted thriller that is as informative as it is entertaining. It's not easy for an author to unpack a large amount of American history in a thriller, but that's precisely what Cole has done here. What begins as a slow burning mystery eventually converts to a heart-pounding reveal, and while I think this story was incredibly creative and necessary, my only complaint was that the pacing felt off, and the ending felt as if there was so much packed in that might have been served better spread out a bit more across the length of the story. Knowing that Ms. Cole is a romance novel, I was pleased to see a bit of love story included in the narrative here, and found it to be such a welcome and positive inclusion which broadened the credibility of the characters. Highly recommended for those who have all but given up on the thriller genre, because this one is a must read that will renew your faith in a stale genre.
*Many thanks to the publisher for providing my review copy.
Rating: really liked it
Great effort but pacing was off!
Didn't work for me!
Rating: really liked it
Wow! This is quite surprising! It’s not only well written, sinister, disturbing thriller, it is also thought provoking, informative, historical fiction tells us the unknown face and ethnical background of Brooklyn history which I found so interesting and which makes this book unique from the other regular thriller novels I lately read.
It’s great mash up of Us, Rear Window and other creepy neighborhood stories. Some parts also reminded me of third episode of Lovecraft Country which you should watch it immediately!
The story starts Sydney Green’s attendance to a walking tour at her neighborhood. She’s born and raised in Brooklyn and she witnesses the sudden changing of her environment. The people she knows already moved to another places and white, rich people started to buy houses, condos surrounded the place like uncontrollable growing weeds and as soon as “ for sale” signs are popping out, somebody takes out that sign and moving into that place.
Some strange things started to happen as soon as the new neighbors conquered the area who are planning a quite impressive rejuvenation.
Sydney thinks she may be acting like paranoid but she needs to find out real sources of her own fear by digging out the history of area and she reluctantly accepts the help of her new neighbor Theo, even though she is still suspicious about his motives. Maybe he is the real reason to her problems and he might be the part of a grandiose scheme. It’s all up to her to find out the truth.
It’s unputdownable, moving, eerie thriller about racism, classification, drugs and whirlwind, breath taking historical journey that I highly enjoy and recommend.
The publisher rejected my arc request but it is worth every penny I paid. It’s one of the best thrillers of the year.
Rating: really liked it
EDITED TO ADD: To everyone, but especially white folks - if you are looking for a good book to read about what's going on in our country now with race and white violence, this is an excellent read. Though it takes the form of a suspense novel, and is extremely fun to read, it also does a fantastic job of letting white readers know what it is like for people of color to be targeted and to feel constantly unsafe. In addition to being a great thriller read, this book is educational and I learned a lot about redlining in Brooklyn, among other things, while enjoying a very good read. Read on for my original review.
This is an awesome book, and I have a lot to say about it, so buckle up!
This book is Get Out meets Rear Window meets The Stepford Wives, if the Stepford Wives wore Lululemon. As a past resident of Brooklyn very near where this books take place, I can tell you all her statements about gentrification are right on the nose. And not just in Brooklyn - this is happening all over the country. I WISH the “OurHood” posts weren’t so similar to NextDoor posts I see every day here in California. I loved the multiple perspectives, all of which the author nailed, and I especially loved Sydney.
I don’t agree with a previous reviewer that this book should flag that it’s about “social justice” issues for the reader. This book is about racism, which is a fact. It’s also about historical events like redlining, which are also facts. This is history and stuff white people should be reading more about. The book will draw readers in. No "racism warning” necessary. (And anyway the blurbs also mention Get Out, so the reader will know what she’s in for.)
Like Get Out, this is a scary story with awesome symbolism and a lot of laughs. It does a great job contrasting the irrational fears of some white people with the very real fears of black people. it’s also just a great book to let anyone blow off steam about the annoying crazy neighbors we all see posting on NextDoor, and what they might really be up to.
To sum up, pleasee read this book. It’s fun, funny, scary, has something important to say, and you’ll probably learn a few things along the way. The ending is wild, but it works. I love this author’s voice and sense of humor and she will be on my list of must-reads in the future.
Thanks to NetGalley, HarperCollins and Alyssa Cole for a preview of this great book which I think people will definitely be talking about.
Rating: really liked it
I love Alyssa Cole. But I'm a New Yorker and I reserve the right to be persnickety about literary representations of New York. Taking on Brooklyn as your muse is no small thing to commit to, and this particular Brooklyn felt very...off.
Earlier this year I read and loved N.K. Jemisin's
The City We Became. The comparisons between
When No One Is Watching and
The City We Became are unavoidable for me because they're so thematically similar, but the latter is executed much more cleverly. Jemisin depicts gentrification as a sinister homogenizing force that steals cultural specificity from white people. That is, when white people align themselves with whiteness, they give up the true parts of their own heritage. They surrender their language, their food, the memory of their ancestors in exchange for the privilege of being considered white in America.
When No One Is Watching buys into the paradigm that all whiteness (and all Blackness) is the same. The book depicts a Brooklyn oddly demographically scant. There are "Black people," some of whom have their West Indian roots acknowledged but most of whom are just depicted as a reductive group. Then there are "white people," all of whom are clueless (or ruthless), cop-loving transplants from the suburbs. I think one unnamed East Asian person is mentioned one time. She is wealthy but less racist than her white friends. Every person belongs to an easily categorizable race, and their actions can be predicted based on that category. There are no Jewish people. No Hispanic people. No one speaks Haitian Creole or Yiddish or Spanish or Chinese. There's one guy named Abdul who briefly speaks in an unspecified language just called "his own language." This Brooklyn felt underpopulated and barren.
It felt like a cop-out to write about New York but then make up a fictional neighborhood for it. People were praising Cole's research, but it felt like she'd created an imaginary neighborhood that's pretty obviously based off of Crown Heights, except her neighborhood has no Orthodox Jews in it. I couldn't not find the implications of that chilling.
Small stuff was just...off? The protagonist, Sydney, takes Ubers and not subways, for example. I'm pretty sure Sydney never ventures into another borough, giving the book an oddly claustrophobic feel. The whole book is about gentrification but the protagonist is problematically nativist, reminiscing about the glory days of a perfect Brooklyn that has obviously never existed. I think there are ways to talk about displacement that don't make it sound like you need to live on the same land your family's owned for generations in order to claim a place in the world. It felt like she should have been wearing a Make Brooklyn Great Again hat; she had the same creepy ideology, just dressed up in a slightly different way.
At the end she (view spoiler)
[ totes a gun and goes on a killing spree. In the book's final moments she pats her waistband to "make sure [her] Mommy's revolver" is there. It's clear she intends to murder her way out of racism. (hide spoiler)] In this way she doesn't seem to be of New York at all. This is a Brooklyn that is utterly hopeless, entirely without joy. This is a Brooklyn where the only possible future is toting a gun and killing everyone you have an issue with—which, again, is something I'm more likely to associate with people wearing Make America Great Again hats. In my experience most New Yorkers have never even seen a gun, let alone owned one, let alone
used one. To have our protagonist do all of these things makes it feel like she herself would be more at home where the gentrifiers came from, maybe frequenting a shooting range in Connecticut to practice for when people step onto her property.
Cole depended a lot on telling and not showing; she had her protagonist make constant, wild assumptions about people and we needed to believe these assumptions were true in order for the book to have any meaningful context or development.
For example, Cole takes the time to put these two white lesbian women in the gentrified neighborhood and have the protagonist criticize them for being too obvious about their queerness. She says, "they seem to have been told all Black people are homophobic, so they go out of their way to normalize their presence." I'm not really sure why this had to be a part of the book. It makes no mention of the fact that same-sex couples are provably, statistically over-policed in New York; queer PDA is still dangerous in the city today. The narrator makes a bunch of assumptions about them, but we're just being told, not shown, and we're supposed to believe it's true. It just felt dangerously like "I don't mind gay people except when they're Too Gay."
All of the white people were racist in an easy-to-see, quantifiable way. None of the prejudice was implicit and at no point is the protagonist ever wrong about the white people she interacts with. I think that took out of a lot of potential within the story; Sydney is too good at just nailing people, when in reality one of the most painful things about discrimination is that it often reveals itself in subtle ways from people you thought were your friends.
When No One Is Watching gets compared to
Get Out, but one of the genius things about
Get Out is that the main character, while certainly not being dim, believes initially that his relationship with his girlfriend is genuine.
It was also VERY weird that Sydney knew the names of literally every recently arrived gentrifier on her block? There are no strangers in the book, pulling out a lot of potential tension. Part of the point of gentrification is that the people moving into these neighborhoods aren't neighborly and don't want to get to know you. So while the white people are supposed to be menacing, there's this weird integrated neighborhood vibe going on that I've literally never seen in real life Brooklyn.
I'm also confused about what year the story takes place in. I assumed it was the present day since the protagonist uses familiar technology and slang still current on Twitter, but in retrospect it seems like a dystopian future Brooklyn where multiculturalism died a long time ago. The protagonist talks to an older neighbor who mentions that there was once a more multicultural Brooklyn where different people coexisted mostly peaceably. She says, "My grandmother used to tell me about her best friend growing up, a Jewish girl." Her...grandmother? So, like, according to this book, the last time multiple cultures and races co-existed in Brooklyn was in the early 1900s? Because that description of Brooklyn literally sounds like 2005. It's true that that Brooklyn is disappearing and tensions are mounting, but to have no acknowledgement that it ever existed in recent history just seems willfully ignorant.
As other people have mentioned, the pacing was wild and the characterization was whack. Overall the book's kind of a mess. For better books on New York, I recommend—as mentioned—N.K. Jemisin's
The City We Became and Victor LaValle's
The Changeling.
Rating: really liked it
Sydney Green is born and brought up in Brooklyn. She is very proud of her neighborhood. Some of her neighbors are disappearing suddenly, and for-sale signs are popping up in front of their homes. Are the neighbors moving into the suburbs, or is it a portent of something sinister? Will Sydney be able to find it out? Are a selected rapacious bunch enjoying some prerogatives at the cost of innocent people?
Are the boroughs of New York becoming too much extortionate for the proletariat? This novel will tell you the answers to these questions.
What I learned from this book 1) Real Estate in New York City New York City is a place where something big is going on every day from a real estate perspective. It might be regarding the condominiums overlooking Central Park or the Billionaires Row or traditional mansions in the Upper East Side or the Modern lofts in Brooklyn. I have read very few books focussing on this aspect of the "Big Apple." Alyssa Cole is focusing on this facet of New York City
"They can break, but they can't erase," Gracie says. "They can build, but they can't bury us."
2) Racism that African Americans are facing in the USA This is a topic that needs more in-depth analysis, especially after the events that led to the Black Lives Matter movement. I am glad to see that Alyssa Cole had done a splendid job in discussing sensitive topics in a subtle yet effective manner in this novel. She criticizes objectifying the black community in such an inappropriate manner in Western countries.
I still remember the first day when I went to Brooklyn. I went for a walk in an area considered one of the roughest neighborhoods in New York City. African Americans were the majority living there. I was told to be very careful while dealing with the people there by my friends. I decided to take a risk as I love to have a conversation with people from different communities. The crime rate was indeed very high there. But
I found some of the loveliest human beings I have ever seen there who took care of me like their own son and made me comfortable. I am happy to say that I even got a couple of close friends from there. I think it is not the communities that have to change, but it is our mindset towards them that should be ameliorated. "When I think of a Black community, the first thing that comes to mind—even if I don't want it to—is crime. Drugs. Gangs. Welfare. That's all the news has talked about since I was a kid. Not old people drinking tea. Not complex self-sustaining financial systems that had to be created because racism means being left out to dry."
3) Merits and demerits of history History is not only learning about the past but also learning from the past to shape our present and the future. Is it ok if people are trying to forget the evil? We can see multiple such instances in history. The author is discussing this idea in depth.
"One is astonished in the study of history at the recurrence of the idea that evil must be forgotten, distorted, skimmed over. . . . The difficulty, of course, with this philosophy is that history loses its value as an incentive and example; it paints perfect men and noble nations, but it does not tell the truth"
My favourite three lines from this book “A lot of people don’t even know that they can earn more than their entire life just by moving.”
“What is the proper response to seeing a child arrested? Arrested for something you can’t be sure actually they did even if they found guilty..”
“My hair is grey but my grey matter is still functional enough.”
What could have been better? Alyssa Cole is an author who has the potential to write literary fiction like Chimamanda Ngozi Adichie. This book shows us her potential in multiple parts. But sadly, she didn't utilize that talent to the fullest in this book. I am sure we will be able to see some extraordinary books from her in the future.
Rating 4/5 This is not a thriller with extraordinary twists. But still there is a high probabilty that you are going to love it.
