User Reviews
Rating: really liked it
That was both horrible and incredible at the same time, and my thoughts are a whirlwind.
Note: The first part of this review is spoiler-free, but the second half is most definitely not. The spoilery section is blocked off by siren emojis (🚨). Skip to the end for bonus content, including an ACOTAR rap written by yours truly. This is the story of a mortal girl, Feyre, who kills a Fae in the woods one day. She’s whisked away to Prythian, home of the Fae, where she will live the rest of her days as punishment for murdering the wolf.
Whoever said this was a Beauty and the Beast retelling is clearly not okay. This is far from a retelling, because
it takes all the important themes out and leaves just the bare plotline:
1. The Beast (Tamlin) is not ugly or even a beast at all. He just has a mask stuck to his face forever as part of a curse that I will get into more in the spoilery section.
2. We are not aware of any good reason for Tamlin to keep Feyre until the very end, and it’s still a flimsy reason (this relates back to the curse).
The problem with the plot is that the foreshadowing is so faint. The plot in the beginning and up until the 75 percent mark makes no sense at all. Tamlin takes Feyre to live in luxury, with good food and nice clothes and freedom, because she killed his fellow Fae? It’s just nonsensical.
How is that a punishment at all? She no longer has to care for her spoiled sisters, she’s away from the poor village.
However, it does make sense in the end, but Feyre is very naive for believing all of this. Something doesn’t add up. People who DNF this book will be very confused indeed.
In Beauty and the Beast, we know of the curse beforehand, so we can find a good reason for the Beast to be kind to Belle. But Tamlin? It’s a mystery.
So anyway, Feyre gets taken to a land of luxury to live out the rest of her days in comfort as “punishment,” but she’s still not happy because for some reason she misses her sisters, even though they treated her like dirt.
She falls in love with Tamlin, which was expected because he’s not a Beast. There’s no barrier to overcome here.
She isn’t forced to look past his ugly exterior because he has no ugly exterior. Along the way, another Fae named Lucien conveniently reveals everything Feyre needs to know right before it happens. This is supposed to be foreshadowing? I think? But in the end, he makes things so easy for Feyre and there’s no conflict whatsoever.
The only problems arise from Feyre’s own stupidity. Their exchanges basically go like this:
Lucien: The Suriel are super dangerous and even hard for the Fae to trap so stay away.
Feyre: *makes simple snare* *kills chicken* oOpS I caught one, what a coincidence!!
Everything is far too easy for Feyre. She’s supposed to be a responsible hunter, but instead she makes stupid, reckless decisions that don’t line up with her character. She follows an illusion of her father despite being told it’s fake, she goes outside on Fire Night, she chases the Suriel, she goes after Tamlin… etc.
If you tell her not to do something, she will do it.Lucien: Stay in your room, it’s dangerous.
Tamlin: Stay in your room, it’s dangerous.
Literally everyone ever: Stay in your room, it’s dangerous.
Feyre: *gets a midnight snack*
Feyre is trying to figure out the details of this blight that’s supposed to be taking over Prythian, but luckily for her, Lucien and Tamlin give everything away with no struggle whatsoever.
The result is that
the danger does not feel genuine. It feels like a cheesy way to add angst to the relationship between Feyre and Tamlin.
Speaking of Tamlin, everyone hates him so much but he’s such a sweetheart. I know that he gets worse in ACOMAF, but there’s nothing wrong with him in this book. He may be a little bland, but he’s much better than Rhysand. More details in the spoilery section.
And then we have the writing, which is just bad. “...” is used in every other sentence, the poor em dashes are abused, and Feyre’s bones bark. A lot. Like, every time she falls down, she describes her barking bones. And what’s up with the phrase “my bowels turned watery?” It’s used at least twice and I don’t like it at all. This is not Shatter Me.
🚨🚨🚨SPOILER ALERT🚨🚨🚨So, what’s up with Amarantha?
I really do like her. She’s a compelling villain because she’s (somewhat) realistic. Sure, she tortures people for fun, but her backstory makes this seem (somewhat) reasonable. (Somewhat.)
Basically, she kidnaps Tamlin and Feyre runs after them because she has no self-preservation instinct. She challenges Amarantha, and in return, she is given three trials. If she wins them all, she and Tamlin will be free and his powers will return. If she loses… well, Amarantha keeps saying that there wouldn’t be enough left of Feyre to burn.
However, Amarantha gives her a different option. She could solve a riddle.
This is when things go downhill. First of all, why would Amarantha bet all her power and might on a simple riddle? It’s not even that hard to solve. The riddle itself is bad. The rhyming pattern isn’t great. And worst of all, the answer?
It’s love.
The answer is love.
How does this make sense? Amarantha is a brutal, sadistic villain, so why would she write such a cliche, cheesy riddle?
She should have made it oddly specific so Feyre would never get it. Anyway, Feyre answers it correctly at the last minute, Amarantha loses all her power, and Tamlin kills her.
It was far too easy.
Moving onto Rhysand. I hate him with a burning passion. He’s a greasy, crusty, dusty, musty old man. I can’t believe Feysand is the endgame ship. I’m suing. This is ridiculous. I don’t understand how people love him. He’s abusive, uncomfy, and weird.
People keep telling me that I will love Rhysand in ACOMAF and hate Tamlin. First of all, I highly doubt it.
Second of all,
if you have to rely on making one character a villain just to get people to like the other character, that’s bad writing. Finally, the curse is so specific and random. Tamlin has to fall in love with a mortal girl who hates the Fae so much that she killed one in cold blood, and he has to wear a mask, and she can't know it's a curse.
🚨🚨🚨END OF SPOILERS🚨🚨🚨In conclusion: Feyre is an idiot, Tamlin is precious, and Rhysand deserves to rot in a hole.
Also, I wrote a rap. It’s called *prim coughing fit*
Feyre Darling. Slight spoilers for ACOMAF.
Feyre Darling
By SofiaI let out a breath I didn't realize I was holding
Rhys's hair is black but Tam's is golden
Will my bones bark or will they meow
Come along Suriel and sing with me now
My name is Feyre
Feyre
And I'm a standard YA MC
What stupid things will I do? Let's see
You tell me one thing and I'll do the other
I left my common sense back in the gutter
There's a blight going ‘round but I don't care
Tamlin follows me everywhere
I think he might like me but idk
I can have Rhysand any day
I like to paint but who knows what I'm painting
At the slightest touch from Tamlin I'll be a-fainting
Oh no he's abusive what will I do
Good that Rhys says it's a choice for you
I can't read but that's okay
Tamlin will save me anyway
My name is Feyre
Feyre
And I'm a standard YA MC
What stupid things will I do? Let's see
I shot a shifted fae with an ash bow
Lucien tried to kill me but Tamlin said no
Amarantha is being pretty suspicious
Rhys killed a fae, that's a little too vicious
I could marry Nesta off with one of these dishes
Tamlin's eyes look like greenish grass
Nesta thinks I'm pretty crass
My name is Feyre
Feyre
And I'm a standard YA MC
What stupid things will I do? Let's see
Sometimes... I... talk like... this...
That won't stop me from taking big risks
It's Fire Night? I'll walk outside
Maybe if I'm lucky I'll nearly die
My name is Feyre
Feyre
And I'm a standard YA MC
What stupid things will I do? Let's see
2.5 stars, a true guilty pleasure
My review of ACOMAF
My review of ACOWAR
___
I'm having major FOMO so I guess it's time to read this? 🤷 Anyway, I need a good cry, so SJM is the right way to go.
Rating: really liked it
Clearly I'm in the minority here. DNF at 30% because I just got fed up with things moving at a snail's pace and NOT MAKING SENSE AT ALL. This was one of the most uncompelling versions of
Beauty and the Beast that I have ever read. The writing is nothing outstanding, there was nothing that moved me. I felt
Cruel Beauty among other B&B retellings I've read this year and last have done a far superior job at moving me emotionally.
Look, I'm sure by the end of the book, all the things tie together and everything's just dandy and things will make sense, and I'd be like "ooooooh, so that's why ____." Me, I don't care. Ain't nobody got time for that. I have so many questions and I'm just fed up. This is not a retelling of Beauty and the Beast. This is a book about a girl who gets to live an easy life with a guy who's implied to be a gorgeous Fae underneath his mask.
The original story makes sense: here's roughly how it goes. Handsome prince is cursed to be ugly unless he gets a chick to fall for him. Flash forward, there's Belle's dad. Belle's dad wanders into Beast's castle and touches his stuff. Beast doesn't like the fact that Belle's dad touched his stuff. Beast is going to kill Belle's dad unless he gets Beast some pussy. Belle's valiantly steps in to save dad, Beast is as nice to her as much as a hairy ugly, self-conscious, socially ostracized monster can be. Belle is treated like a princess because Beast really, really fucking needs her to save him and his people before the curse runs out!
There's a reason Belle is treated like the queen! Things make sense! They have to learn to trust one another. Things are slowly developed an built over time. There is a hideous beast who is scarred emotionally, and a beauty who needs to look past the exterior. There is a point. Not so with this book.
Things are far, far too easy with this book.Now here's this version of Beauty and the Beast,
a retelling that tries to be bad-ass and fails completely, from the little that I have read.
There's
Feyre who has a pretty crappy life with an absentminded, worthless, spineless dad, and two of the most bitchy, ungrateful sisters in the entire world. She slaves for them, she hunts food for them, she works her ass off for them. Without her, their family would starve. They don't care. I feel some pity for her, but she acts like so much of a martyr that there's only so much I can take.
While hunting one day, Feyre kills a wolf, well, surprise, surprise, that wolf turns out to be a Fae in disguise. In return for this kill, Feyre is taken by a wolf (who's a Fae in disguise) away from her family.
“What is the payment the Treaty requires?”
His eyes didn’t leave my face as he said, “A life for a life. Any unprovoked attacks on faerie-kind by humans are to be paid only by a human life in exchange.”
A life for a life! Oh, no! Is she going to die?! That's what a life for a life means, right?
WRONG. Feyre is taken off to magical Fairyland to live in luxury for the rest of her life while her family is taken care of back in their little village.
“Some would say it’s unwise to insult a Fae in his home,” Tamlin ground out. “Some would say you should be grateful for me finding you before another one of my kind came to claim the debt, for sparing your life and then offering you the chance to live in comfort.”
So what?!
Why?! This makes no sense at all.
Feyre kills one of their kind. A beloved brother. In exchange, there is
absolutely no punishment whatsoever. She gets to live in a fantastically fabulous castle, waited on by servants. She gets beautiful clothes and delicious food.
Another useless answer. I dug into my breakfast, savoring each rich sip of tea, and she slipped into the bathing chamber. When I was done eating and bathing, I refused Alis’s offer and dressed myself in another exquisite tunic—this one of purple so deep it could have been black.
Clearly there is some kind of a setup involving The Treaty, since there seems to be a lot of secrecy between the Fae...
but wait, whatever information she wants, the Fae reveals...they're revealing their own weakness to Feyre, who is constantly plotting her own escape. It doesn't make any sense!
“There is … a sickness in these lands. Across Prythian. There has been for almost fifty years now. It is why this house and these lands are so empty: most have left. The blight spreads slowly, but it has made magic act … strangely. My own powers are diminished due to it. These masks”—he tapped on his—“are the result of a surge of it that occurred during a masquerade forty-nine years ago. Even now, we can’t remove them.”
Over and over and over,
the Fae reveal their secrets to her, including one that might help her escape.
“So there are faeries who will actually answer any question if you trap them?” Maybe they’d know how to free me from the Treaty’s terms.
“Yes,” he said tightly. “The Suriel. But they’re old and wicked, and not worth the danger of going out to find them.
And then pretty much the next chapter, she goes out AND IMMEDIATELY FINDS THESE MYSTERIOUS CREATURES. WHAT THE FUCK.
I do not like it when things come so easily to a main character, and everything comes easily to Feyre. There is no consequence whatsoever to her actions. There is no punishment to her deed of killing. The Fae are supposed to hate her...it doesn't feel like it, because she is "inconsequential." In fact, they're more of her playmates than her wardens. The Fae seem to have no other things to do besides play with her and hunt with her.
“My morning work was postponed,” he said. Indeed, his usual tunic was off, the baldric gone, and the sleeves of his white shirt had been rolled up to the elbows to reveal tanned forearms corded with muscle. “If you want a ride across the grounds—if you’re interested in your new … residence, I can take you.”
And teach her how to read and write...because Feyre cannot read or write, an ironic twist to the Disney Belle's love for reading.
“I could help you write to them, if that’s why you’re in here.”
Feyre is irreverent, ungrateful and insulting to her wardens...in a way that gets her no punishment whatsoever.
“Do you ever stop being such a prick?” I snapped back.
Dead—really, truly, I should have been dead for that.
But Lucien grinned at me. “Much better.”
As I said, I'm sure this book improves in the end, but from what I've read, this book makes no sense, the writing is emotionless, the characters are flat, the main character unrealistic, and I do not care to continue.
Rating: really liked it
2 1/2 stars. Maybe my rating comes as a surprise or even - if you care - a disappointment, but let me assure you: no one is more surprised or disappointed than I am.
I've had this book on my TBR ever since it appeared on Goodreads without a title, cover or description. I started reading it as soon as it became available and the array of positive reviews from my friends and strangers alike made me feel sure I would love it. But I didn't. It is possible I expected all the wrong things from A Court of Thorns and Roses, and maybe my review can prevent others from doing the same.
Here's what I expected: an intricate fantasy world, supernatural politics and alliances, fast-paced action, a sensual romance - perhaps similar to Cruel Beauty and other
Beauty and the Beast retellings, and a flawed but likable heroine.
But this book is, if you ask me, nothing more or less than
softcore erotica. Which is fine, if that's what you're looking for.
I personally thought that the fantasy aspect felt like trimmings around a story that was all about a romance between Feyre (the narrator) and Tamlin (a High Lord of the Fae). There are some titillating scenes where Tamlin bites Feyre's neck and they have sex - undoubtedly the best bits of the book and I won't pretend I didn't feel a little hot under the collar myself. But the "ancient wicked shadow" promised in the blurb is only really a source of more romantic angst for Feyre and Tamlin.
However, I *do* like a good romance as much as anyone, so there are other reasons this book didn't quite work for me. In order to express what I mean, I'm going to compare A Court of Thorns and Roses to Cruel Beauty, which is, in my opinion, a better book.
In CB, I felt the chemistry between Nyx and Ignifex as soon as their loaded banter started to fill the pages. They were sexy together, Ignifex was an evil ruler (which was a real problem for their relationship) with blood-red eyes, and the supernatural part of the book was creepy, weird and completely unique. Despite enjoying the actual non-PG scenes in A Court of Thorns and Roses, I never felt any real chemistry between Feyre and Tamlin or any realistic challenge to their relationship.
What makes Beauty and the Beast such a compelling romance? One that demands to be told over and over again in so many different ways? I'll tell you what it is: it's the obstacles, the challenges, the improbability...
how can a young woman come to love an ugly beast? We ask.
I'll prove it's possible! The author replies. That's why readers fall in love with the beast again and again, even when he is furry and has horns like the Disney version. I loved the Disney beast. (view spoiler)
[And that badass fox in Robin Hood so it's possible I have issues. (hide spoiler)]Tamlin is not a beast.“Even as he bit out the words, I couldn’t ignore the sheer male beauty of that strong jaw, the richness of his golden-tan skin.” Oh my, how could a poor young woman ever love a pretty-faced, golden-haired, completely not evil Fae prince? How weird.
Maas is a good writer and the beginning - before Feyre is taken to the Fae world - made me believe a great book was on the way. When Maas writes action, she writes action
really well. But there was far too little of it in this book. It came in behind the descriptions of beautiful Fae men and the Fae palace.
In short:
It just wasn't nasty enough. In truth, this felt more like an extended Cinderella retelling than what it was supposed to be. A girl lives in poverty and looks after her rather annoying sisters until one day she is swept up by a prince who takes her to his beautiful palace (after about three chapters). I just find it hard to recommend this when I think Cruel Beauty is similar and yet so much better.
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Rating: really liked it
I cannot remember ever being this conflicted over a book. There are parts of A Court of Thorns and Roses I really loved, but a lot of parts I really hated.
I went into this book fully expecting to love it. Beauty and the Beast is one of my favorite fairy tales, and I was interested to see how SJM made the story her own.
First off, my biggest problem with this story was Feyre as a character. I have never been so irritated. Her character development and personality, for the most part, didn't make sense to me. She was the caretaker of her entire family for years, supposedly a hunter with a strong survival instinct. And yet, she proceeded to make the stupidest decisions and put herself in danger time and time again. I didn't get the sense that she did this out of bravery, but more out of stupidity. It didn't mesh with what her character was supposed to be. Examples of these idiotic choices:
(view spoiler)
[ 1. Repeatedly plotting to escape into a faerie land that she knew to be deadly, when she was asleep on the way to the manor and obviously wouldn't know her way back to the mortal lands
2. Running after the illusion of her CRIPPLED father at NIGHT, when she has been told and witnessed how deceptive fae can be
3. Trapping a Suriel with little more than a snare, in the deadly part of the forest, after she has been told, and AGAIN, SEEN how dangerous these creatures are
4. Going to Fire Night after being told how dangerous it is, not leaving after being almost raped by 3 faeries, and then proceeding to leave her room AGAIN afterwards
5. Drinking the faerie wine at the Solstice, even after Lucien of all people warned her not to
6. Leaving the manor when the Suriel flat out TOLD her not to and that she would be safe with Tamlin, and deciding to not mention that to ANYONE before he forced her to leave (hide spoiler)]In addition to all of these idiotic choices, she also is incredibly inconsistent. She'll go from hating Fae to sympathizing with them to loving them back to fearing them at the drop of a hat. These inconsistencies are probably the most irritating, as there are scenes that I absolutely adore with Feyre, but then she goes back to doing the next pain in the ass thing on the next page.
I also found her relationship with Tamlin to be problematic. Yes, I do enjoy problematic things (especially ships from time to time) but there were a lot of things I couldn't excuse with them. Again, more inconsistencies in characters' behavior. Tamlin's hot and cold behavior was eventually explained, but not until 70% of the way through the book. It was too little too late. Also, (view spoiler)
[ I found the Fire Night scene to be a problem for me. I do enjoy volatile relationships and bad boy characters. But only when we are told from the beginning that one of the characters is "bad". Tamlin we are led to believe is a saint, then he bites her and gets possessive, but all is forgiven the next morning. Because he's a "nice guy." No. (hide spoiler)] The world building I found to be lackluster in a lot of ways. While I really enjoyed the wide variety of Fae creatures we got to see, I thought that a lot of the back story was revealed in a lazy way. Instead of having Feyre figure anything out for herself, important things are told to her through long monologues from a number of characters throughout the book. This happens numerous times.
Additionally, few side characters have any development and most felt like blank slates. With that being said, the ones that were developed I adored. Lucien and Rhys saved the book for me in a lot of ways. I found them both to be complex and interesting characters.
The last 10-15% of the book saved it for me. I found the plot to finally be interesting, and I found Feyre's decisions in those chapters to actually make sense. A lot of things were set up for future books that have me very intrigued, and I'm looking forward to the rest of the series. Many things that I disliked in this book, may in fact be remedied due to some of the occurrences in this last small section of the book.
Overall, I was disappointed by this first installment. While there were elements I really enjoyed, they didn't make up for the elements I didn't. I'm hoping future installments will prove to be better.
I will also be doing a full video review and spoiler-filled discussion on my channel in the future if you want to know more of my thoughts.
Rating: really liked it
If you've ever wondered which literary world would be the best to live in, wonder no longer, cause there's a BookTube Video to answer that!
The Written Review :----------
Update - 12/6/19
Should I cross the insurmountable TBR? Or reread this series again?
I think you know the answer----------
Here's the original review:
Feyre is hunting in the middle of the woods to
keep her useless starving family alive (Hunger Games, anyone?).
A chance encounter with a wolf - who wasn't entirely a wolf - leaves Feyre
on the wrong end of an ancient treaty. She is forced to go to the fairy realm to live out the remaining years of her human life -
no friends, no family and no freedom. “Has anyone ever taken care of you?” he asked quietly.
“No.” I’d long since stopped feeling sorry for myself about it.
At first, she cannot think of anything but escape. Slowly (but surely), she is swept into the fairy realm -
in its magic & intrigue, in its danger & hopelessness, and in its wonder & glory. “Spring, Summer, Autumn, Winter, Dawn, Day, and Night,” it mused, as if I hadn’t even answered. “The seven Courts of Prythian, each ruled by a High Lord, all of them deadly in their own way. They are not merely powerful—they are Power.”
Feyre lands in the Spring court - which is under a
masquerade curse for nearly fifty years.
The court is being attacked by all manner of terrible creatures and there is a
blight upon the land .
This blight will soon cross to the human realm - threatening everyone Feyre holds dear.
The first half sucks but keep readingThere's no way around it. From page 1 to about 200, Feyre is
annoying and obstinate. I nearly put this book down half a dozen times (it was like reading Red Queen).
BUT, there was something about it that kept me interested.
AND THANK GOODNESS FOR THAT. Because wow. Seriously wow.
Midway through the book,
things turned around magnificently. It was like a whole new book.
Sarah J Maas is a devious little thing.
Suddenly, all the plot holes, nonsensical actions of her fairy captors (Tamlin and Lucien) and Feyre's complete idiocy flipped on their heads.
Everything makes sense now. I literally could not put this down.
Though, and maybe it's just me, but
the Tamlin-Feyre arc felt a bit rushed/forced. Her constant love declarations really had me questioning their relationship. But then again, I had a friend who accidentally spilled the beans on that one.
Without giving any spoilers, I sure hope book 2 does a
complete character shift on you-know-who (NOT voldemort) because I am
not pleased with the way the love interest was hinted at during the end of the book. (He's such a jerk!)
Overall, I am
amazed by how much effort Sarah J. Maas put into constructing this story. I'm this close || to rereading the book solely to better appreciate all those little clues that I must have passed over.
So, if you pick this up and just aren't feeling it -
keep reading - trust me.
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Rating: really liked it
I approached this book with an open mind and wanted to enjoy it. Despite not being a fan of the superfluous writing style or the lackluster world-building, I was still willing to rate it 3 stars by viewing it as an easy guilty pleasure romance book. The relationship seems harmless and I still don't see how it's as problematic as people dramatize it to be. The first half of the book is a standard Beauty and the Beast retelling — not awful, but not special either — and then the second half really dips in quality, which lowered my rating to 2 stars.
A couple glaring issues that stood out to me:
1) The background story of the curse is literally told instead of shown via a side character's lengthy monologue. This was disappointing since I was intrigued to find this out by piecing clues together, not by being told it straightforwardly like a regurgitated wikipedia article.
2) The main character seems relatively smart but consistently has leaps of logic that are clearly there for the sake of plot. 9 out of 10 times she won't follow the advice of another character.
3) The antagonist is SO cartoonish — like mustache-twirling cartoonish. She gives a bunch of arbitrary challenges and rules for no reason other than for the sake of stringing along a story. It feels like she's hosting a game show or some overly complex scavenger hunt. There's no reason why she'd bother setting up any of these superfluous rules. I think this is the worst antagonist I've ever read.
I'm willing to overlook the writing style and bland romance, but once I got to the part where Feyre answers the riddle, I had to drop it down to 2 stars because it was so ridiculous and lazy. I've heard that the sequel is much better though, so I am willing to give it another try, just not any time soon haha.
Rating: really liked it
4.5 stars Tamlin is going to set your loins aflame. Phew! My cheeks are still flushed.
I'm also fairly confident this book is going to help change the face of new adult fiction. How awesome to see gifted writers shaping non-contemporary stories that have the coming of age/youthful perspective and vibe of YA books and combine that with the freedom that writing for an older target audience affords them. If you liked the mood and romance of (the excellent) CRUEL BEAUTY but perhaps mourned the missed opportunities of such a seductive premise, ACOTAR more than satisfies. (view spoiler)
[ BITE MY NECK SOME MORE, SIR. (hide spoiler)]Plus stunning action and gorgeous imagery and interesting characters, including a fascinating anti-hero I'm looking forward to learning more about. Serious Darkling vibes, my friends.
Maybe more of a review closer to release. If I can calm my racing pulse before then.
Rating: really liked it
SPOILER FREE REVIEW: https://www.youtube.com/watch?v=Psls2...
*Reread April 2016
Took me centuries to reread this but it was worth it!
TEAM TAMLIN
THIS WAS FABULOUS
s j maas can do no wrong i swear to god
Rating: really liked it
This was a solid start to this new series! I'm really interested to see where things go. I did find a few things to be a bit questionable, but I can't say what they are because HELLO SPOILERS. I'll be doing a full review/discussion on this sooooooon!
Rating: really liked it
wow. Just wow. Sarah has done it again! This book was amazing! The romance was borderline new adult which I loved but it was also greatly paced. The plot was so well thought out and executed as well. I HIGHLY RECOMMEND A COURT OF THORNS AND ROSES!
Rating: really liked it
Really enjoyed this one! Here's my booktalk: https://www.youtube.com/watch?v=8pLYC...
Rating: really liked it
I take back every bad thing I've said about Rhys.
Rating: really liked it
this is howl’s moving castle fanfiction and no one can convince me otherwise
Rating: really liked it
rhys really just said: i could be a better boyfriend than him
Rating: really liked it
4.45/5 ⭐
Full review on my Blog: The Dacian She-Wolf 🐺
This book’s mood song match – Fix You by Coldplay 
mum: *enters kitchen at 3 am* What the hell are you doing?
me: *with a bowl of ice cream in one hand and ACOTAR in the other* I'm starting another SJM series
mum: Hang on, I have a bottle of vodka here somewhere
*
And if this is not some relatable shit when facing Sarah J. Maas’s books then I don’t know what to tell you anymore. You puzzle me.
So, there you go – another great universe erected by SJM just in front of our humble eyes. She is building her own fucking multiverse and we are here to witness the power of a goddess at work. I will make three sacrifices for that.
This is, so far, for me, the best Beauty and the Beast reimagination.
HER EXECUTION STYLE IS THE AIR TO MY LUNGS.And this one is not even the best of her works.
“Magic – everything was magic, and it broke my heart.” Mainly, our action is happening at the Spring Court where our main character finds herself in front of a new intriguing life. Or at least as intriguing as a Court of flowery gardens can be.
As I always say about SJM’s books,
the characters are the ones who make the action. It’s like they are the very engine of a plot.
I kind of like
Feyre. She definitely has her own personal issues, mainly because she is broken and lonely and desperate to beat her status. She is human and miserable, mainly because her family is horrible. Her whole family was created to look like the typical fairytale family – an absent coward of a father, an uninterested mother, a sister full of wicked hatred and another one caught up in her own world, sensitive and naïve. Until her sisters do something worthy of my affection, I ain’t changing my mind about them.
Lucien (the Emissary of the Spring Court), I must say, I liked from the very beginning, but he somehow managed to grow on me. There was something likeable about him at first and he only proved that to me more as the action went on.
Tamlin, the High Lord of the Spring Court, on the other hand, seemed a bit stiff the whole book, even though I sometimes appreciated the occasional softness of his heart.
But full-on honesty now – the
best thing about this book, the one thing that made it 110% better was
Rhysand. He won for this book a full star from me with all of his domineering prick moves. He played the bad boy role so good that my traitorous heart enjoyed him whole. I might have a problem but oh, what a perfect problem he is.
“His voice was a lover’s purr that sent shivers through me, caressing every muscle and bone and nerve.” Sexy.
Rhysand and Feyre certainly have a sort of total chemistry that it seems Feyre doesn’t have with Tamlin; not even after they
supposedly fell in love with each other. I don’t buy that love for more than a second and by the end when everything seemed to try to make me believe their relationship I was still not convinced.
I recognise fabulous chemistry when I see one and that ain’t it. Rhysand, you’d better act up, love, I have expectations. You’re more than just a cruel, beautiful ruffian, I know it.
There’s a certain cruelty in this book, so very Maas. I sometimes feel like I’m reading the words of a psychopath, but then I remind myself how much I
enjoy this cruelty in these books and I temperate myself.
That crazy wretch Amarantha is definitely the embodiment of cold murder and torture in this book and this is visible when it comes to how much her actions affect the other characters’ moods and movements. It’s terribly interesting though to see how terrified all of them can become when facing her.
But by the end, there was this sliver of hope that lingered. And that broke the evil to pieces.
“This wasn’t music to dance to – it was music to worship, music to feel in the gaps of my soul, to bring me to a place where there was no pain.” Even though I think this is not the best of SJM’s works, I still believe is so very good that just makes you want to know more. It leaves you craving. And in my humble opinion, that’s a bonus factor in books.
All and all, my first step into the ACOTAR universe has been a success. More steps to come. Until I fall in love. Wholly and irrevocably.
(Book-styled)
